somebody lives here/ riverside - voie sur berge

heidi bücher @ CCS

moulages latex de murs, pièces, sols, moulures...

haiku down @ dawn

          toasty in down
          chill on skin
          city lights in dusky dawn

chairs in a church

graffiti misc/divers "tu sais qui sais ti amo"

haïku feuilles éparses et pluie

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          feuilles déjà éparses

          d’un vert délicat, jauni

          un air de printemps

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          métro – une femme masse

          de la crème dans ses mains

          odeur de chien mouillé

westlake / bad news 3, THE END

     ... Dortmunder remembered various moments with Arnie Albright over the years, like the time [...] he explained, "I know what a scumbag I am. People in this town, they call a restaurant, before they make the reservation, they say, "'Is Arnie Albright gonna be there?' "

grafffiti B/W & B/W and RED

sharp sharp johannesburg 4 an offshoot andrew putter

this text appears under the video on youTube but it's worth pointing it out by adding it here too

This is the video component of a video-installation I made - called 'Secretly I Will Love You More.' It shows Maria van Riebeeck - a 17th century Dutch woman at the Cape of Good Hope. Maria is on record as having taken a 'Hottentot' (Khoikhoi) girl - Krotoa - into her home for a few years. Between 1652 and 1720, the Cape Dutch almost completely destroyed the indigenous Cape Khoikhoi. This artwork of mine imagines that Maria had so loved Krotoa, that she had learnt to speak Krotoa's language. In the lullaby I wrote for the work - translated by Pedro Dausab into the click-filled Nama language that would have sounded a bit like the now-extinct Khoikhoi spoken at the Cape 300 years ago - Maria sings of her love for the child Krotoa. At one stage she sings: 'I will love you as I love my own children: secretly I will love you more...' This work won the Spier Contemporary Award in 2007.

fall right at home

the maple tree from oregon

graffiti - égalité respect madiba

sharp sharp johannesburg 3 spoek mathambo+, control

sharp sharp johannesburg 2 chimurenga

sharp sharp johannesburg 1 taxi sound system

westlake / bad news 2, pour jérémie

     "There's a New York firm I use all the time," Fitzroy told him. "It's Feinberg, Kleinberg, Rhineberg, Steinberg, Weinberg & Klatsch, but it's known as Feinberg."
     Andy said, "I'd know it as Klatsch."
     "Yes, you would," Fitzroy agreed. "But the legal profession lacks your delicate sense of humor."

***

     ... He turned to Welles and said, "Which company you work for?"
     "My firm," he answered, "is Holliman, Sherman, Beiderman, Tallyman & Funk. You wouldn't be able to use us of course." 
     "I know," she said, "that's why i wanted to ask."

somebody lives here / sleeps

see also oct 10, voir post 10 oct.

 

françois morel - c'est pour qui la banane pauvre petite conne?

merci françois morel


Le billet de François Morel: C'est pour qui la... par franceinter

westlake / bad news 1

    

Irwin, the new one, was as scraggly as Fitzroy was plump, and no more appetizing.
     Dortmunder said to Kelp, "Do you have the Voyager key?"
     Kelp held up his left hand, to show a chain with a car key dangling from it. "Yes..." he said, and tossed the key over the rail, "... and no."
     "No!" cried Irwin.
     "Too late," Kelp told him.

***

     Tiny Bulcher is another matter. A man mountain, with a body like an oil truck and a head like an unexploded bomb, he mostly looked like a fairy tale character that eats villages. "Hello, there, Kelp," this creature rumbled.

***

somebody lives here / austerlitz +

vie immobile / dead nature

       
merci à Otis du Taxi Jaune rue chapon pour les belles vitrines de l'annexe

haiku / in dark morning rain

          à peine deux mois et
          les jours commenceront à
          rallonger à nouveau

à peine deux mois et les jours commenceront à rallonger à nouveau

          less then two months now
          until the days begin to
          grow longer again

less then two months now until the days begin to grow longer again